Currently boasting over 7M monthly listeners on Spotify, more than 3M fans across social platforms, and over 300M worldwide streams and counting, Whitcomb is well into what is shaping up as a landmark 2025, which recently saw him joining forces with rising indie folk artist Evan Honer for the raw and vulnerable collaborative single, “My Expense” along with the emotionally vivid “Options” and larger-than-life anthem “Hundred Mile High.” The latter earned first-week streams in excess of 1.6M and critical applause from MTV, Entertainment Tonight, UPROXX, Ones To Watch, and ELLE, which named it among “The Best New Songs We Heard In January,” writing, “The return of modern folk was written in the stars… Cameron Whitcomb enters the conversation with ‘Hundred Mile High.’ The banjos pump the song forward, beckoning listeners on a cross-country road trip.”

2025 kicked off with the release of “Medusa (Acoustic),” a new stripped-down rendition of his captivating fan favorite, “Medusa,” available now HERE. Featured as one of Billboard’s “5 Must-Hear New Country Songs,” upon release, the original version of “Medusa” has quickly amassed over 100M global streams and counting.

Recently featured globally on the cover of Apple Music’s Today Country and named to both Spotify and Amazon Music’s 2025 Artists To Watch lists as well as Shazam’s Fast Forward 2025, Whitcomb has spent much of the year traveling on his hugely successful Hundred Mile High Tour – the Nanaimo, BC-based artist’s biggest US headline run thus far, highlighted by
sold-out shows at such famed venues as New York City’s Bowery Ballroom. A truly enthralling live performer, he’ll soon take the stage at CMA Fest in June. Whitcomb will keep the momentum going with a stacked live schedule that includes a just announced Canadian leg of the Hundred Mile High Tour that saw over 80% of all tickets sold out during presales before box
offices officially opened to the general public. Highlights include home province two-night stands at Vancouver, BC’s famed Commodore Ballroom (July 17, 22) and Kelowna, BC’s Revelry (July 25-26). Additional dates include further US headline shows as well as the eagerly awaited EU/UK leg of the “Hundred Mile High Tour” - for complete details and remaining ticket
availability, please visit thecamwhitcomb.com.

The rising artist’s nonstop live schedule follows a breakthrough 2024 that featured the release of his remarkable debut EP, Quitter, available everywhere now HERE. Partly inspired by his journey in overcoming addiction, the acclaimed collection - includes profoundly personal singles including “Love Myself” and the soul-searching title track, “Quitter,” the latter of which was praised by Billboard as “an anthemic folk track in the mold of Noah Kahan powered by a kick- clap beat and Whitcomb's growling vocal.” Now boasting more than 85M global streams, “Quitter,” which chronicles the 21-year-old artist’s battle to overcome addiction, further made history as Whitcomb’s first-ever single to reach the Billboard Canadian Hot 100 – his biggest chart success to date. Whitcomb celebrated by traveling North America on his wide-ranging Quitter Tour, a hugely successful run of headline dates that included sold-out shows at such renowned venues as Nashville, TN’s The Mil at Cannery Hall, New York City’s Mercury Lounge, and more.

One of the most captivating new songwriters of his generation, Cameron Whitcomb turns the most candid details of his real-life experience into songs with a strangely exhilarating power. Hailing from British Columbia’s Vancouver Island, Whitcomb left home at age 17 and got a job working on a pipeline, later spending much of his downtime singing karaoke and posting covers on Reddit. When an American Idol executive took note of his undeniable vocal talent, he landed a spot on the show’s 20th season and emerged as a top 20 finalist. Whitcomb then immersed himself in learning to write songs while deep in the process of getting sober. After making his label debut with 2024’s “Rocking Chair” – which amassed over 40M combined views across socials prior to its premiere – Whitcomb took off on a fast ascent that soon found him embarking on his first-ever headline run, the sold-out Quitter Tour.